Born in Romania and adopted by an Israeli family, Dan Yosefi is a photographer who works across fashion and art photography, specializing in capturing suggestive moments1. With a foundation in painting and dance, Yosefi's work emphasizes color and composition to create evocative visual narratives. His collaborations include renowned brands such as TimeOut Magazine, Vetements, Balenciaga, Billabong, H&M, Charles & Keith, Paramount, and more.

Dany Yosefi is currently based in Frankfurt and Tel Aviv, collaborating with like-minded clients on visually compelling projects.

For portfolio requests and bookings, contact: contact@danyosefi.com.


To examine the culture in which one lives as a visitor, one can use a variety of tools and methods.    Through the lens of his camera, Dan Yosefi embarks on a journey, fusing the study of culture with the transformative language of alchemical processes, weaving together architecture, film, fine arts, material reality, and the human psyche to craft a visual representation of humanity, one that offers a novel perspective on the global essence of our shared existence
In his work, he invites viewers to partake in the alchemical transformation, providing fresh perspectives on the elements that bind humanity together in a global synthesis of culture.

 ii. As the psychological human cannot reflect nor review an experience at the moment as it happens, I see a camera or an image as tools that allow humans to reflect on their physical selves, lives, environment, and everything else.     The ability to review moments at resolutions beyond what the human eye can see adds to the value of photography as a tool for self-reflection and exploration.      
As an adopted child, I developed the awarness to my foreign sight of western culture, which has given me a unique perspective, and by using a camera as a transcendent tool, I’m able to further expand my sensory experience and gain new insights.




1 Friedlaender, Kurt Th. Das Suggestive Moment. Jan. 1923, https://doi.org/10.1007/978-3-642-91568-0_14.
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