My realization of this “matter studying” started the day

I found some Images left on my old camera from a trip to Paris in 2009. ︎︎︎

Examining these frames now is fascinating -
being a kid and taking these shots as an actual tourist, I remember using auto mode and having so much respect for the subject I’m shooting.
The result is a flattened, flashy image that’s not at all flattering the heritage I got to know in my own eyes and feet walking around the palace. I think these shots show how western culture perceives history, even its own. Like an internal version of an oriental sight.
As an adopted child I developed a foreign sight of culture and western culture especially in my years as a grown person.
In my journey, I use the camera as a tool that completes my sensory experience to a certain extent⁽²⁾, as it provides a new perception of a moment and allows it to be reviewed at resolutions that cannot be viewed by the human eye.

Heaven Antropocene Portrait , Untitled Case Study: 'Venus' A Fashioned Self-Portrait Vogueina (VETEMENTS) Meta Classicism Dismonogamy PardonUntitled 2012

Commission TimeOut Tel AvivDeli Instagram feed Sheli Schneider Barbarsi Campaign Budweiser VLVT Tel Aviv PRIX Workshop Project Dirary (Blog) Instagram

DAN YOSEFI

Visual Studies

Heaven
Antropocene
Portrait , Untitled
Case Study: 'Venus'
A Fashioned Self-Portrait
Vogueina (VETEMENTS)
Meta Classicism
Dismonogamy
Pardon
Untitled 2012

Commission
TimeOut Te l Aviv
Deli Instagram feed
Sheli Schneider
Barbarsi Campaign
Budweiser
VLVT Tel Aviv
PRIX Workshop
Project

Dirary (Blog)

Instagram